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LAUS DEO SEMPER
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Avenged Sevenfold - Critical Acclaim
from the 2007 release Avenged Sevenfold
is the copyrighted property of its owner(s).
https://itunes.apple.com/us/album/avenged-sevenfold/id266023781
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I very proudly endorse the following companies:
DW Drums & Hardware
Sabian Cymbals
Evans Drumheads
Promark Sticks
Logitech Ultimate Ears IEM's (PRM)
Presonus
Samson
GoPro
This video was shot 100% GoPro,
with 9 Hero 3+ cameras, in 1080p at 24fps.
Recorded and mixed using Cubase 7
Edited using Sony Vegas
Filmed and recorded at Drum Channel Studios,
Oxnard, California, USA.
http://www.drumchannel.com
This video is part of The Quadrum Series and was filmed, edited, engineered, mixed, mastered, and produced in its entirety by Cobus Potgieter.
NO drum replacement was done in this mix, this is a 100% acoustically recorded and mixed track: absolutely no supplementation, layering, or triggering was done.
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This song has been on my wish-list for a cover pretty much since the first time I heard it. The only thing that always held me back, though, was the double-bass madness. It's not incredibly fast or complicated, but I absolutely never practice single-strokes on the kick, which is why I am sincerely not good at that, at all. I do some bursts and patterns using heel-toe (which is the main reason I started playing double-bass in the first place) but I never practice straight up consistent single strokes.
Here's the crazy part: the BPM of this song is such that it was JUST fast enough to be out of my comfortable range when I used single strokes (I'd hold it consistently for about 5 seconds, then I would just tense up and look supremely spastic) but also JUST slow enough to my out of my comfortable range when using heel-toe. What the flip?! So I practiced it for a week or two, spending time every day trying to get my singles faster, as well as getting my doubles SLOWER.. which is a weird concept, but I had to be able to control the slower speed when playing doubles. After a lot of practicing, the heel-toe control improved before the single stroke speed did, so I opted for heel-toe.. much to the dismay of my shins.
Most 16th note kick patterns you hear in this cover was played using heel-toe, except for a few quick bursts of single strokes here and there. All extended 16th note segments were done using heel-toe (after which my shins caught fire).
All of that said: playing along to a hard rock track is fun beyond measure. Minimal ghost notes, just straight up power and drive. LOVE IT.
Also: this is the only track in The Quadrum Series (and my first cover EVER!) where I used a different snare drum than the other songs in the series. My main snare was tuned quite high and responsive for the other tracks, but I wanted a more beefy tone for this song. The snare that I used is Neil Peart's personal Snakes & Arrows from right here at Drum Channel. I've used this snare in many places (on 8 of the 11 songs on my Ventura Lights' debut album, Way Up Here) and I absolutely love it.
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