A nice blind test to show the difference these three microphones. A Burny RLC55 was played into a Peavey 6505 with a Harley Benton G212 Vintage cabinet, and recorded into a MOTU 8Pre. The only post processing was a gain match.
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Links to purchase these mics:
https://www.pmtonline.co.uk/shure-sm57-vocal-microphone?utm_source=google&utm_medium=shopping&gclid=CjwKCAjw-ezKBRAGEiwAu-_-LGd7AdCEdjlc75dVkXwhN5fmeEoxBGIgLsDaqEpfRGMIATdVsFZIDhoCZrIQAvD_BwE
https://www.thomann.de/gb/the_tbone_mb75.htm
https://www.amazon.co.uk/Pyle-Pro-PDMIC78-Dynamic-Microphone/dp/B005BSOVRY/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1499215647&sr=1-1&keywords=pyle+pdmic78
MIC A - Pyle PDMIC78
MIC B - Shure SM57
MIC C - T. Bone MB75
